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Killer new album! Excellent finnish Black / Battle Metal!

Occult Black Metal from the Netherlands. Recorded in the cold of winter, 2016, and spread on cassettes in underground. Only 666 hand-numbered copies.

Debut album. Nihilistic Misanthropic visions and Supreme scorn for all mankind!

4 way split CD.
Features 3 new tracks from BLOODOLINE, 2 new tracks from REVERENCE, 3 tracks from BLUT AUS NORD plus a new track from the mysterious KARRAS featuring Vindsval, N.O.X and Ira Aeterna.

New killer album of Russian Black Thrash Metal band BLOODRAIN! Dedicated to their satanic roots, BLOODRAIN never left the once chosen path. Fast, evil old-school and very intense stuff in the vein of early KREATOR and SLAYER but with its own spirit. Includes SLAYER "Evil Has No Boundaries" cover. Jewelcase CD released by Possession prods and Metal Race records .

Fast & furious radical Satanic Black Thrash Death Metal from Russia with old-school vibe. A new compilation "Bloodrain: Ultimatum & Nomen Nostrum Legio" includes 2 albums - the second and the third, united in the single concept. Limited to 500 copies. Album is dedicated to the memory of the legendary Jeff Hanneman (SLAYER) .

New full length from Providence, RI black metal legion Bog of the Infidel. Bog of the Infidel get highly melodic on Asleep in the Arms of Suicide, while retaining the raw edge carefully keeping a distance from the modern age. Sure, there’s plenty of Dissection style influences. But thanks to unique production and a sort of subdued mix on the melodic guitar lines the entire thing comes off a bit more second wave black metal than it does Gothenburg melodic. Full of fury, the album ends on a burning hot note.

Occult, Melodic and Transcendent Bulgarian Black Metal. Powerfull debut album ! On uncompromising tempo and riffs, the voices will rip your guts (Bolg means "Wolf" in Old Bulgarian). Limited to 500 copies

BONEHUNTER's highly anticipated third album.

If BONEHUNTER's debut album, Evil Triumphs Again, became the first and last word on how to do Bathory worship - and becoming something of a mini-classic in the process, and last year's Sexual Panic Human Machine became the shocking sound of the band asserting their own identity with equally compelling results, then Children of the Atom is BONEHUNTER hitting a fucking fever pitch. It would not be untruthful to say that Children of the Atom is the perfect synthesis of BONEHUNTER's first two albums: the dungeon-bred grit of the debut meeting the streamlined cruise of LP#2, without the faintest hint of self-consciousness nor repetitiousness. But - and this is absolutely crucial - the devilish charisma and unfuckwithable confidence with which the band roll out each anthem after another here bespeaks something else together. Simply, Children of the Atom is the new (and very now) sound of BONEHUNTER breaking into the bigtime.

After the stage-setting "Initiate the Sequence" intro, Children of the Atom literally EXPLODES from the speakers. Charging hard like the veritable post-apocalyptic Road Warriors that they are, BONEHUNTER truly make their self-proclaimed "Devil Metal Punk" a subgenre unto itself here. It's one of those sounds that's immediately familiar - again, earliest Bathory will always loom large - but with a wealth of era- and globe-spanning influences all freely fed into their engine, from '80s Japanese metalpunk to the deepest South American blackthrash, what emerges on Children of the Atom is indeed a mutation like no other. And it's absolutely ADDICTING: hooks upon hooks are doled out effortlessly, inciting possessed headbanging and air-guitaring, and all with a breathless abandon that's a wild wonder to behold. Additionally, BONEHUNTER's rhythmic arsenal has kicked it up a notch or five, as well, hitting speeds previously unapproachable for the band but here delivered with authority and elan. Not to mention that the production's been roughened up again, bloody raw but belying a clarity of intent.

Featuring unforgettable cover art courtesy of the master Joe Petagno, Children of the Atom is the ultimate nuclear assault from BONEHUNTER! A statement from the band reads: "We envisioned an album that sounded like songs written by the synthetically-revived cadavers of Chris Witchhunter, HIDE, and Petrus Steele after blasting Sacrilege, Atomkraft, and Immortal in a military bunker through the heart of a nuclear winter. Läjä Äijälä, frontman of the infamous hardcore act Terveet Kädet, gave birth to the intro track 'Initiate the Sequence.' The only man who could be trusted to handle the album cover for Children of the Atom was the legendary artist behind Motörhead's Snaggletooth, Joe Petagno. This is the ultimate BONEHUNTER album - turn up the evil!"

An underground gem from darkest Finland, ready to take up the heavy metal fight: BONEHUNTER and their debut album, Evil Triumphs Again. All too appropriately titled, Evil Triumphs Again is a cryogenically frozen blast from the past, offering obeisance to debut-era Bathory in its unremittingly cavernous atmosphere yet resolutely punk-rocking thrust. BONEHUNTER hail all forms of evil (a quick rundown of some of the album's song titles include "Acid Fuck," "Succubus," "Burning Skulls," the telltale "Devil Metal Punks" and, of course, the title track itself) and extol these virtues through simple, pounding metalpunk drenched in sulfur and sewage, each anthem crankier and catchier than the last. One listen through and these songs will NOT leave your head - and thus, Evil Triumphs Again!

BONEHUNTER's highly anticipated second album.

In 2015, this Finnish power-trio unleashed the surprise hit of the summer in their debut album, Evil Triumphs Again. Word of mouth spread like wildfire about the record's simple-yet-supremely-evil pleasures. The album was both a sincere homage to earliest/best Bathory and an extension of it, as if the very soul of a young Quorthon had been reborn in these far-north miscreants. Even today, Evil Triumphs Again is held in high regard by many the world over, but the best is yet to come in Sexual Panic Human Machine.

Right from the start, even with the album title itself, Sexual Panic Human Machine is a different BONEHUNTER and one not merely replicating past glories. For one, the trio abandon the "tribute" aspect of the debut and drive deeper into what made that ancient metalpunk sound work: hooks, heaviness, and hellish drive. For another, the cauldron-born evil of that debut gives way to a more earthly, seedier-side-of-the-tracks evil where no lust nor perversion is turned away. From there, BONEHUNTER dive headfirst and headlong into a raucous yet well-oiled attack that, more often than not, lands well within the bounds of shredding speed metal: the chrome chassis gleams, but the engine pumps pure, black dsigust. Leaner and most definitely meaner, this Sexual Panic Human Machine nevertheless never loses sight of that devilish FUN which made Evil Triumphs Again such a modern classic. Stocked with brand-new arsenal, awaken the machine with BONEHUNTER!

Misanthropic Black Metal, with members of ENOID and KRIGAR!

Traditional Swedish Death metal with Black Metal influences.

Six new tracks of introspective melancholy. Dark acoustic hymns. Ars Magna says "We are very, very honored to present one of our favorite artists. Presented in a slim wallet, similar to the Bosse 3 demo."

Female fronted Rock/Metal in the vein of The Gathering, lacuna Coil etc. on Dark Symphonies.

More droning and desolate than the critically acclaimed Dagonite, BROWN JENKINS’ latest Angel Eyes abstracts Black Metal and Doom down to their base elements and alchemically alters their potency for maximum mental horror. Burzum, Godflesh, Disembowelment and Voi-Vod collide in a doom-drone whirlwind - Get lost in Angel Eyes!

“Think HELLHAMMER and BURZUM but also picture the unwavering heaviness of avant-garde forefathers SWANS and EARTH” –REVOLVER

“Sounds like a theoretical collaboration between Justin Broadrick [GODFLESH/JESU] and Quorthon [BATHORY]” –DECIBEL

“Feels like walking through a river of molasses with broken glass on its surface!” –DIRT CULTURE

MP3: Like A Sword Through Worlds