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Deluxe Gold Foil Digipack with Patch! Debut album of Death / Thrash Metal from the Brazilian band!

Tu Carne are a Grindcore / Goregrind band, formed in February 1997 in Alicante in Spain. Their name in Spanish means "your flesh". They have been influenced by various genres such as: Grindcore / Punk / Goregrind and Death metal; giving life to a unique Spanish Goregrind. In most of their songs they talk about gore, satanism, perversion, violence and abuse, describing every emotion in detail, like fear, anxiety and the desire to brutally kill.

This is the Definitive edition of the 2nd ROCKA ROLLAS' album "Metal Strikes Back" - finally made to sound as Cederick has envisioned it back in the day, but unable to fulfill the vision due to lack of proper equipment and recording experience. Originally recorded in 2012 and released in 2013. Completely re-arranged and re-recorded (except for lead vocals) during the great covid epidemic 2020. Revamped artwork and completely redesigned booklet. With "Conquer" EP added as bonus. Limited to 500 CDs.

Debut full-length. German Black metal.

After 5 + years, the U.S. Black Metal Elite return with their long-awaited second full-length-album!
Over 50 minutes of Black Metal blasphemy.

The long-awaited comeback album of America's TYRANT! Hailing from Pasadena, California, TYRANT formed in 1978 and put out their first demo in '82. However, it was with their pair of albums for Metal Blade - 1985's Legions of the Dead and 1987's Too Late to Pray - where they'd etch their name into cult heavy metal legendry. Proud and powerful, theirs was steel tempered in the purest and proudest tradition: neither NWOBHM nor speed metal nor doom nor hair metal by any strict definitions, but uniquely dipping that blade into all at any given moment, and given an almost medieval atmosphere considering the ever-changing stylistic landscape during those years, which would be deemed "old-fashioned" as the 1980s came to a close. It took nearly a decade for TYRANT's next album to arrive, 1996's King of Kings, and indeed were the band even more out of place in that landscape; despite staunchly sticking to their guns, this would be their otherwise-final album. At last, it arrives with Hereafter. With founding member Greg May on bass along with longtime guitarist Rocky Rockwell and powerhouse drummer Ronnie Wallace, who's been with the band since 2010, TYRANT now feature a significant new addition on vocals: the one and only Rob Lowe, he of Solitude Aeternus and ex-Candlemass fame. His addition proves especially significant given TYRANT's doomier direction on Hereafter. While no doubt sounding like the same band who delivered those two classics on Metal Blade so long ago, the TYRANT of Hereafter conjures forth a classy, ominously melodic style of doom METAL - or at least traditional heavy metal steeped in doom, much like Black Sabbath in the early '80s with Dio and then Ian Gillan on the mic - with each of these 11 mini-epics headbanging forward with power, poise, and a stately sort of grace. Aiding that granite-thick surge is the production of one Bill Metoyer, the legendary producer who's recorded all of TYRANT's albums to date. Evading any sort of "retro" moves, Metoyer keeps the sound on Hereafter rich, robust, and above all timeless, just like TYRANT's ever-unyielding style of metal. Truly, this is the homecoming the legions have been waiting for! HELLS271 VIOLENT HAMMER "Riders Of The Wasteland" CD 9.99 Hailing from the ever-fertile Finnish black/death underground, VIOLENT HAMMER formed in 2006. Two demos followed in short succession, in 2006 and 2007, before the band would go on hiatus. VIOLENT HAMMER would at last return in early 2014 with a new lineup and a new demo, More Victims - Demo 2014. However rough 'n' rowdy those earlier demos may have been, the reinvigorated VIOLENT HAMMER return with a full-length that handily trounces those not-inconsiderable predecessors. Aptly titled Riders of the Wasteland, VIOLENT HAMMER's debut album encompasses their simple yet scintillating aesthetic - the full span of death metal and black metal from the '80s through early '90s, early thrash, and most significantly early grindcore and UK/Swedish hardcore and crust from the '80s - and blasts it into oblivion with the aplomb of a nuclear fallout. Unremittingly hammering and remorselessly primitive, each of the nine barbaric slabs of song across the album's satisfyingly swift 26 minutes gets in, gets out, and fucking DESTROYS. As such, Riders of the Wasteland is deceptively catchy, much like so much '80s grindcore was, and retains a twisted sense of fun within its gnarled 'n' gnarling sonics. And although VIOLENT HAMMER here invoke many names - from early Blood, Profanatica, Bestial Summoning, and Naked Whipper to likewise early Doom (UK), Extreme Noise Terror, Mob 47, and even earliest/crustiest Bolt Thrower and Napalm Death - the manner in which they slice and dice all these influences bespeaks an identity wholly unique in today's underground landscape.

2nd full-length. Raw and mid tempo black metal from Finland.

3rd full-length from the Finnish Black Metal horde.

Dark roaring sound melodic melody tangled like Magic. The Japanese Blackened Deathrash Metal Band "ungodly" collected unusual heavyness and groove, sounds a dark roaring sound, entangling sadness and majestic beauty melodies. This is first mini album for ungodly, that depicts a solitary world view with five independent stories.

11" x 17" Black & White Poster

Cult Classic Re-issue of the US Black Metal Masterpiece - WORSHIP !!!!
Over the span of 17 years, Native American Black Metal institution UNHUMAN DISEASE have certainly earned the status of US Black Metal Royalty! Since their foundation in 2003, UNHUMAN DISEASE has released 7 top-notch full length albums along with numerous EP’s and splits. “Glorification of Satanas”, the bands long out of print sixth album originally released in 2013, finally receives a well overdue re-issue featuring new cover art and exclusive bonus track! The 1st of a series of re-issues to be unleashed through 2021, which will also include both of 2009’s "Into Satan's Kingdom" & “Black Creations of Satan”! Through their Artful Call, UNHUMAN DISEASE has created a satisfying blend of raw viciousness and melody- it is a devilish attack of total Satanic black devotion!
UNHUMAN DISEASE is trademarked by Un-humanly grim vocals, catchy ceremonial rhythms and pulse pounding drums, all overlaid with maleficently eerie guitar solos. Sole member and known keeper of the true Black Metal flame, Nocturnus Dominus captures the 1990’s essence of Norwegian Black Metal while maintaining the unmistakably diabolical American sound. Continuing their legacy under the Moribund Records banner, UNHUMAN DISEASE returns to remind all of what blasphemous aggression in Black Metal should sound like! UNHUMAN DISEASE will also release their highly anticipated New studio album "And The Ritual Fire Still Burns..." March 19th 2021!

PRESS QUOTES:
“An album that balances nuance and nightmare with ferocity and fervent devotion throughout. - themidlandsrocks.com
* From the “De Templi Autem Veteris Serpentis” album

Track Listing:
1. Glorifier of Satanas (8:12)
2. Unto the Father a Sacrifice (6:45)
3. Thy Infernal Pact (4:16)
4. Devil Worshipping Black Metal (4:04)
5. Beyond the Flames of His Kingdom (4:36)
6. Destruction of Holy Lands (3:06)
7. Diabolic Holocaust (5:03)
8. Horde of the Goat (4:29)
9. Black Cold Hate (4:46)
10. Under Satan’s Command (3:51)
11. The Serpent’s Eyes (Bonus Track) (6:25)
Total Play Time: 55:36

Reverend Steven Johnson Leyba (CoS) and the United Satanic Apache Front Scream, Chants and Rants about our Global Corporate fascist Oppressors, exhaling a litany of barbs at the established tyranny. “Fuck Your Freedom” decries the hypocritical stance that Rev. Leyba has found himself confronting while perusing his art. Extensive liner notes detail his confrontations and performances, including his rejection from long time friends who thought he had gone “over the line”, especially in a time of war.

Spoken Word to Ambient / Martial Noise.

A long-overdue reissue of UNLORD’s cult second album.
Formed in 1989, UNLORD are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. UNLORD’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup.
At the dawn of the new millennium did UNLORD unleash their second album, Gladiator. Aptly titled and again adorned with appropriately fiery cover art, Gladiator was a consolidation of all-too-considerable strengths. The blitzkrieg speed of the preceding Schwarzwald is amazingly taken up a notch here, and the riffing clangs & churns with even more authority; if anything,Gladiator is the sound of UNLORD at their most berserk. And yet, the icy melodicism remains, and the production is powerfully clear and crisp.

A long-overdue reissue of UNLORD’s cult third album!
Formed in 1989, UNLORD are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. UNLORD’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup.
In 2002, with ultra-violent black metal on the wane, UNLORD stuck to their guns and released Lord of Beneath. While its cover hues evinced a mysterious blue, Lord of Beneath was just as fiery as its two full-length predecessor – arguably, even more so! Indeed, UNLORD remained as uncompromising as ever: they knew who they were, and they weren’t gonna change for the scene’s ever-fickle tastes. As such, their third (and sadly, final) album finds a rarely rivaled balance between utterly unhinged speed and powerfully precise execution.

A long-overdue reissue of UNLORD’s cult debut album!
Formed in 1989, UNLORD are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. UNLORD’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup.
In that black metal-rich year of 1997 did UNLORD unleash their debut album, Schwarzwald. Adorned with appropriately fiery cover art, Schwarzwald very much sounded – and looked – like its era, and was all the better for it. And yet, crucially, UNLORD here offer a variety of songcraft across the 13-track album whilst keeping the focus on cryogenically-cold violence. What’s more, their usage of synths is sparing and tasteful, and on Schwarzwald did they set forth a sterling standard of production: remarkably clear and crisp, but not once sacrificing an iota of power.

Debut album. Cult Norwegian Black Metal. No Colour Records

Early 7” EP recordings by some of the founding entities of classic Norwegian Black Metal! With Emperor “As The Shadows Rise” (1994), Immortal “Immortal “ [1992], Dimmu Borgir “Inn I Evighetens Morke” (1994), Ancient “Det Glemte Riket” (1994), and Arcturus My Angel (1991)!

Great tribute CD from Argentinean Bands: Ancestrum, As Drarkness Fell, Ecliptic Sunset, Progrom, Ruins of Church, War Pestilence, Kliffoth, Wolves Winter, Saagar, Helcaraxe and Helvete.

Brilliant new album from the oldschool Thrash Metal lunatics from Argentina.